‘The Matrix Resurrections’ is an adult film

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The resurrection of the matrix, directed by Lana Wachowski, largely avoids large-scale action scenes in favor of a more intimate love and mortality story. Screenwriter Rafael Jordan was initially disappointed with the film, but began to appreciate it more after watching it many times.

“I definitely think it was secondary to Lana that people actually liked the movie right away,” Jordan said in episode 496 of Geek’s Guide to the Galaxy podcast. “I do not think she cares. And that’s the subtle genius of it. I think it will be really appreciated in time, but not soon enough to make her make more films. “

For the past 20 years, Wachowski has seen fans and critics largely view the Matrix’s third film, seen the Matrix’s “red pill” co-opted by the political right, and faced relentless pressure to make more sequels to The Matrix. Geek’s Guide to the Galaxy host David Bar Kurtley sees clear parallels between these fights and Resurrections “ “Swarm mode”, in which the characters are attacked by waves of mindless enemies.

“In the first film, the symbol of the oppressive system that keeps you down is a government agent, and in this one, there are masses of people on their phones,” he said. “To a large extent, the concern for the people who control our lives has shifted from the government to the online crowds they hate.

Resurrections presents the return of Keanu Reeves and Carrie-Ann Moss, now in their fifties. Horror writer Teresa DeLuchi I liked watching more mature actors head a science fiction action movie. “I think that [Reeves] it did a great job, betraying decades of exhaustion, regret, weakness and error, ”she said. “I loved it when they said, ‘Are you going to fly now?’ And he says, ‘Fuck.’ Well, you’re fifty-something.” Get rid of it, you don’t have to fly anymore. ”

Science fiction professor Lisa Jaszek says that despite her focus on aging and loss, Resurrections manages to maintain an optimistic stripe.

“It seems a lot like a modern cyberpunk story to me, not only because it’s moved from an amazing attitude to the Internet to a more tired attitude, but really more in terms of hope,” she said. “There is this hope that people can connect and think logically, rationally and creatively and maybe make the world a better place. And I think that’s the best message of science fiction. “

Listen to the full interview with Rafael Jordan, Teresa DeLucci and Lisa Jasek in Episode 496 on Geek’s Guide to the Galaxy (above). And see some highlights from the discussion below.

David Barley Kurtley The matrix:

For people who haven’t been around before The matrix came out, I feel there was this cultural impact that is hard to overestimate. I remember people saying, “This is our generation star Wars“And that’s really how I felt. Everyone had seen him. Before that, there were virtual reality movies like Johnny Mnemonic or The mower man that really only hardcore science fiction fans would go see, but with The matrix everyone saw it and everyone was familiar with all these concepts – like the idea of putting martial arts skills in their brains for a second – these really great science fiction concepts that everyone was familiar with now.

Teresa DeLucci on The Matrix Revolutions:

I really can hardly remember anything about it обаче I remember, however, that I was in the theater. Everyone was very excited. This was the premiere of the movie IMAX in New York, the biggest screen ever. It was like a nightclub. People were in all their Matrix gear – glowing goggles and light sticks. My friend was so excited. And then you get to the end of the movie, when Trinity dies and the scene of her death was so overloaded and bad that people started arguing. Neo is like, “You can’t die,” and she says, “Yes, I can,” and someone in the theater just yells, at the perfect moment, “Do it now!” I remember that more than anything else in the movie.

Lisa Jasek on The resurrection of the matrix:

I came in without any expectations and I liked it. Was it as innovative as the first one? No, but how could it be? This is the fourth in a series. But I still thought it really honored the show. I thought the story was logical. From day one, the Wachowski family insisted that these films were really about love, and I thought, “Boy, Lana really doubled that this time.” I think that’s interesting, and it almost makes me want to go back and watch again. the three originals through this different frame. Without thinking: Is this a metaphor for capitalism? Is this a metaphor for trans-ness? Is this a metaphor for our media-saturated society? ” Maybe it’s just a science fiction love story.

Raphael Jordan for the screenplay:

In the first film, Neo was excluded from the Matrix in the 32nd minute. This marks the end of Act 1 and the beginning of Act 2 – as I said, the first scenario is airtight. In this one, he doesn’t wake up in the real world until the 52nd minute, and that’s too long. Then Act 2 begins, when they finally go to Io and all that stuff. Audiences aren’t necessarily aware of these scriptwriting rules consciously, but they start to come out of a movie when things don’t go fast enough and it’s no coincidence that this movie is 20 minutes longer than the others because it took too long to to get to this point. So I just wish it was six episodes, four or five hours [TV show].