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David Lowry’s new film The green knight puts a modern twist on Arthurian’s classic tale “Sir Gawain and the Green Knight.” Fiction writer Lara Elena Donnelly praised the film’s surreal, dreamy quality.
“I just liked living in the world of film, as it happened, without the film really telling me, ‘This is happening now and that’s why it’s happening,'” Donnelly said in episode 483 of Geek’s Guide to the Galaxy podcast. It was a wild ride as it continued.
The author of the fantasy Christopher M. Sevasco enjoys some aspects of the film, but in the end it is difficult to connect. “There are definitely elements of that that will stay with me – really powerful visual scenes that will haunt me,” he says. “But in the end, that’s all I will remember about this film, these visualizations. Everything else is already fading from my memory. ”
Geek’s Guide to the Galaxy host David Bar Kirtley warns that The green knight is strictly for the art house crowd. “It’s a movie where if people were like, ‘Should I go see this movie?’ “I’d say, ‘What do you think of pretentious movies?'” He says. “If you like pretentious movies, be sure to go watch them. One hundred percent. And if you hate pretentious movies and you can’t stand them, don’t go watch that, you won’t like it at all. ”
Fiction writer Erin Lindsay had mixed feelings The green knight, but appreciates that he has a strong artistic vision. “I’d like to see more than that,” she says. “I’d like to see more fantasy that really sways behind fences and doesn’t throw up the same old things over and over again.”
Listen to the full interview with Lara Elena Donnelly, Christopher M. Sevasco and Erin Lindsey in Episode 483 on Geek’s Guide to the Galaxy (above). And see some highlights from the discussion below.
David Bar Kirtley for David Lowry:
“I had super high expectations for [The Green Knight], but on my first viewing I was really upset about it. I went home and my friend Steph said, “How was it?” And I was like, “Oh, that drove me crazy. Do you know what you reminded me of? Do you remember this movie Ghost story what have we watched? ‘It’s this super pretentious ghost movie. I was like, “It reminded me so much of that. It was so slow. And Steph says, “Who’s the director?” And I said, “This man is David Lowry. I’m not sure who he is. That’s why I look at him and he is the person who directs Ghost story. And it was like, “OK, that makes a lot of sense.”
Christopher M. Sevasco on the ambiguity:
“I think a fair interpretation of all the trials and tribulations [Gawain] by the way, they all basically show up as Morgan or Merlin. Otherwise, how will he get his belt back, even though he lost it? His horse returns, although he is taken by the bandits. This is because it’s all part of this great thing they’re creating. But then why do they throw obstacles in his way? Why do they give him things back? I do not know. I have no answers. I don’t know that there are any answers. It is possible that my interpretation is not the interpretation that the director had, perhaps none of our interpretations is like that. We just don’t know. And this is a problem. “
Erin Lindsey on storytelling:
“I understand why [The Green Knight] is polarizing, but I definitely didn’t experience an extreme reaction in one way or another. I almost wish I wasn’t a writer when I watch movies like that – and I wish I wasn’t a writer with brutally honest agents, because much of my life deconstructs why something works or doesn’t work. Even if I love something, I will do it to death, because right now I am programmed to experience stories and media. And it’s a bit of a shame and I wonder how 20 years ago I would have experienced this movie differently. But as it is now, yes, I really liked it, but I can’t help but see what I consider areas for improvement. “
Lara Elena Donnelly on magic:
“Holly Black was one of my Clarion instructors, and when she told us about magic systems in fantasy, she said there were two types – day and night logic. The logic of the day is as you can explain it with rules, as in Harry Potter: If you say these words and move your stick like that, you get this effect. And night logic is something that just feels right and you can’t poke it too hard. It’s harder to write because you have to evoke a sense of justice without explicit rules. And so for me, much of this movie felt like a lot of night logic. You can’t put too much pressure on that. It’s just something that works because it feels right. “
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