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2.5 / 5
Activist Dadasaheb Balram Azad (John Abraham) was seen as a messiah by his villagers near Varanasi. He has not only the biggest heart, but also the biggest muscles. He does not mind beating people to express his opinion. He was killed by his political rivals and his wife fell into a deep coma. His twin sons, Satya Balram Azad (John Abraham) and Jay Balram Azad (John Abraham), grew up as politicians and cops, respectively. They are holding hands to become extrajudicially vigilant, to kill the corrupt and to create a crime-free state.
Every melodramatic film trope is generously sprinkled on the film by director and writer Milap Milan Zaveri. Hindu-Muslim unity – there is a scene in which Jay catches the Koran, which is thrown into the air and then hits the culprit. The famous blood transfusion scene by Amar Akbar Anthony – Dadsaheb fights a hundred scams while giving blood to his wife. The song of karwa chauth, where the festival is shown widely celebrated by the whole population, the song of the wedding sangit, devar-bhabhi ched chad, the twins cover each other, even the famous sequence Mother India – instead of Nargis and her sons, Dadasaheb cultivates the soil and there is so much force that he can use the yoke to make a big crack. In short, anything that can make you emotional is thrown into the mix.
The brothers have been shown to target everyone, from corrupt politicians, careless doctors, insensitive police officers, to begging mafias and rapists. The fantasy of the common man to administer harsh justice to carpets and criminals around the world is played out in a noose. To make things seem relevant, the film discusses issues such as the lack of oxygen in hospitals, the humiliation faced by rape victims, the plight of child beggars, the corrupt relationship between the builder and politics, the problems of debt-ridden farmers. Any such problem can be solved by killing the most corrupt in the system. This is the final decision circulated by the film.
There are no subtleties in the film. Each character shouts his lines. And no one speaks normally. Each line is a dialogue with a stroke. The background result is also ultra strong and intense. The violence – and there is a lot of it in the film – is quite graphic.
Maybe the masses need some fantasy to escape – we don’t know. In any case, nothing is going well for the average person. Maybe they need a bloody fantasy of revenge to get rid of COVID-19, unemployment, inflation … work. The best thing about the film is that it maintains harmony in the community – in an extremely strong, screaming way from the rooftops. And he tells you that if you unite, then you can take care of corrupt politicians on your own.
This is John Abraham’s first triple role, and he rose with admiration for the case. He never hesitates to utter the most pretentious remarks in all three avatars. It helps that all three are carved as an aid and have the same height and body structure, not to mention the voice. We think he looked his best in his farm avatar. The rustic clothes and mustache on his steering wheel went. Full assessments of him for his sincerity to such an inverted scenario. Wild Hosla Kumar returns to Hindi cinema with this film. She gets her moment when she orders her husband and son-in-law to wreak havoc on the rapists. It has a good screen presence and well, let’s see what it will choose next …
Trailer: Satyamev Jayate 2
Hiren Kotvani, November 25, 2021, 1:37 p.m.
3.0 / 5
HISTORY: Satya Azad (John Abraham), an honest interior minister, wants to clean the country of corruption with his anti-corruption bill. However, he failed to get enough “Yes” not only from his allies, but also from his wife Vidya (Wild Hosla Kumar), a member of the opposition who voted “No” in Vidhan Sabha. When several horrific murders take place in the city, ACP Jay Azad (again John Abraham) is brought in to catch the killer, regardless of his motive. So if you think this story revolves around brother against brother, no, there’s something else.
OVERVIEW: The only way Satyameva Jayate 2 (SMJ2) is ahead of its prehistory is Satyameva Jayate (SMJ) by fighting corruption and greed for power. Initially, screenwriter and director Milap Zaveri and the film’s crew claimed that this was a mass price, like the popular cinema of the 1980s. When you see John Abraham become vigilant to punish those who have caused the deaths of innocent citizens, you are not as surprised as you are when you find out that Satya is the one who distributes the death penalty and Jay is put in charge of to bring vigilance to justice.
Milap does not try to hide that he pays homage to the films of the 80’s and his pride in this is very obvious in the script and dialogues – be it Satya, who calls the ACP to tell him that he will not stop punishing the culprits, Jay introductory sequence or even Dadasaheb Azad (John Abraham again, as their farmer father), who plows the field of a poor farmer himself, or the brothers dressed in saffron and green, fight each other at the preliminary climax. All this and more only adds more masala to the flesh of history.
In addition to the threat of corruption, Milap has dealt with farmers’ suicides, violence against women (Nirbhaya in Delhi, a veterinarian in Telangana), the Lokpal bill, the importance of community harmony and religious tolerance to a large extent. The screenwriter-director also makes a telling comment for today’s media and social media, which focus more on capturing news and the sensation of cameras and smartphones, even when someone is bleeding to death on the streets in broad daylight.
John Abraham looks comfortable in this old school and too often tried commercial dishes. Whether as twin brothers or as a father, he plays his triple role with equal ease. If he showed a little restraint as Satya, he did not shy away from playing in the gallery as Jay or as Dadasaheb, an ordinary farmer who is fighting for the Lokpal bill in front of the assembly.
Divya Khosla Kumar is pleasant and plays a very important role in this otherwise male-dominated film. Like the righteous Vidya, she is not surprised when she disagrees and strongly opposes her husband Satya and her father the minister (Harsh Chaya) on various issues. Gautami Kapoor provides the necessary support as Dadasaheb’s wife and mother of Satya and Jay. Harsh Chhaya, Annup Sonii, Zakir Hussain, Dayashankar Pandey and Saahil Vaid perform well.
The soundtrack is easy on the ears, be it the wedding song Tenu Lehanga or the song by Karwa-Chauth Meri Zindagi Hai Tu, while Nora Fatehi chirps in the number of Kusu Kusu.
Cruel hardcore action is the highlight of the film, and John doesn’t disappoint – whether he has to pick up a motorcycle with a rider and throw it, or snatch the engine of an SUV, or even tear a few meters of ground, smashing his plow in the field. For fans of action there are a few moments for seti-maar. While we understand that the film is a homage to the ’80s super cinema we once enjoyed, some scenes like three John Abrahams that stop the helicopter from taking off with their bare hands can be too much of a blow. even for OTT sensitivity.
If you enjoy the huge masala food of a bygone era and are willing to take three times more than John Abraham in one shot, you can indulge in this one.
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