[ad_1]
Otto’s Robot robot is currently on a farm in Devon owned by Tim Shepard, a quiet, precise enthusiast who pioneered the timeline. The personal life of plants five years ago. He makes a strange couple with Chris Field, whose hands are covered in carnivorous tattoos, but the two set out to help Gunton achieve a short, which began as little more than a premonition.
“We wanted to cover the plants in Planet Earth series, so we went to Kew Gardens with a treatment full of things we wanted to catch plants that do like “beaten,” “thought,” “count,” all animal-type words, and they were all in inverted commas, ” says Gunton. “They said great, but you can remove all those inverted commas. Plants do all this only at different times. This is our mantra for The green planet– that the only difference between plants and animals is that they move in a different time frame.
To capture this, they are pushing technology from the simple to the surreal. Williams discovers a microscope in California that can image a 10-micron-wide mouth – the small holes in plant leaves and stems that allow carbon dioxide, oxygen and water vapor to diffuse in and out of plant tissues, opening and closing to illustrate photosynthesis. And then there are drones.
The department pioneered the use of drones in filming, deploying them in 2011. Ground flight, a good year before the first film, 2012 Skyfall, used them to shoot James Bond in pursuit of a motorcycle through the roof of the Grand Bazaar in Istanbul. For some Green planet photos, however, drones were banned due to local air traffic regulations, so Williams adapted a window cleaning pole into a light extension boom called the Emu, with a broken drone body at the end and a drone chamber hanging from below.
The real drone challenge for The green planet, says Gunton, hacked people, not technology. “We used FPV drones, racing drones that have a forward-facing camera,” he explains. “Pilots are like computer gamers and have these extraordinary attack courses where crazy acrobatics have to fly. What we wanted them to do was use all this incredible dexterity to be able to steer these drones in the most incredibly micro-detailed way, but get our feet off the accelerator. ”
The result is footage that looks almost like a sweeping drone shot in any high-budget movie or television program, showing events that take hours flying at seemingly normal speeds. For real things, red teeth and nails, however, acceleration cameras were the only option. Williams, Field, and the department’s engineers set out to hack Otto’s robot, eventually inventing Triffid, which uses the same technology Field created to attach to an extension ladder known as a slider. When fully stretched, the Triffid is 2.1 meters high, but can quickly descend to ground level. Williams then spent more time on kickstarter sites and came across a 24mm lens on a probe – thin enough to fit into an insect-sized hole.
[ad_2]
Source link