Black Trance actor Hamilton says he lost a role after asking for a neutral dressing room for sex | Celebrities

Sunny Reed, a black trance actor who starred in Hamilton’s touring show, has filed a federal complaint against the production, claiming they lost their role after requesting a gender-neutral locker room.

Reid, who is non-binary and obeys the pronoun they, filed a complaint Wednesday (October 13th) with the Equal Employment Opportunity Commission in Los Angeles, alleging discrimination and retaliation for questioning The alleged “awakening” of the company “behind Hamilton.

In a statement to USA today,, Lawrence Pearson, one of Reid’s lawyers, said Hamilton was a public “beacon of diversity” committed to social injustice and harmony.

“Behind the curtain, however, the company’s management will push a black, transgender actor simply because they stood up for themselves and advocated for a fairer job, so they questioned that public image,” Pearson said in a statement.

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In response, Shane Marshall Brown, a spokesman for Hamilton, told the newspaper in a statement that Reid had been a “valuable cast” for more than three years, but denied Reid’s allegations.

“We offered them a contract to return to Hamilton on terms that met their demands,” Brown said in a statement. “We deny the allegations in (the complaint). We have not discriminated against or retaliated against Suni. Since the closure, our organization has taken care of our community. We treat Suni with the same respect and care as all members of Hamilton’s company.

The statement added: “More specifically, we have given direct financial support to Suni, paid for their health insurance and paid for their housing. We wish Suni success in their future endeavors.”

Pearson said Reid is likely to file a federal lawsuit seeking unspecified “economic damage to financial damage and emotional distress” if the EEOC gives permission, in an email to USA today.

Pearson added that his client wants accountability and to deal with the complaints of the cast “with more respect and less competition in the future.”

“We look forward to defending Mx. Reid’s rights, and we hope this is a wake-up call for the theater industry about systemic inequalities that persist even at their highest levels,” he said.





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